New Memoir Reveals John Stamos’ Plea to Exit ‘Full House’ and His Rejection of ‘Nip/Tuck’ Following Rebecca Romijn’s Critique of Its Portrayal of Women.
“Have mercy.” John Stamos’ latest memoir, titled “If You Would Have Told Me,” offers readers an intimate journey through his life thus far. It delves into his upbringing, the pivotal moments that led to his first acting role, his transformation into the world’s most beloved uncle, and the experience of becoming a father for the first time, all while exploring the everything-in-between aspects of his life.
Within its pages, the book balances humorous anecdotes with poignant stories of personal loss. Notably, Stamos discloses, for the first time, a painful revelation of childhood sexual abuse by his 18- or 19-year-old babysitter. This disclosure, which he has also shared via Instagram, shed light on a traumatic event he remembered vividly while preparing a speech for a Child Help charity event around five years ago.
Stamos reflects on this in a video, saying, “About five years ago, I was writing out a speech that I was going to make at a Child Help charity, and I started writing, and all of a sudden, it just came back. Just like flooded me with a crystal clear vision of what happened back then, and I was like — it was very unsettling. And I thought, ‘Well, should I talk about it in my speech?’ And then I thought, ‘No, the night was about the kids and not me.’ So I packed it away, and I thought, ‘Someday will be the right time to talk about this.’ I’ve had three friends text me today. Three. Saying that they had a similar situation that happened to them and never told anybody. So if sharing my story has helped even those three friends of mine, then I’m glad I did it. Please know that it is never your fault and you deserve to be heard and you deserve to be supported.”
The memoir further delves into his experiences on the television shows “ER” and “General Hospital,” the dynamics of “Full House,” and the romantic relationships that ultimately led him to meet his wife. Along the way, it includes a colorful chapter on Stamos’ journey to Burning Man with Maura Tierney and Linda Cardellini.
For a glimpse of some of the most significant revelations from “If You Would Have Told Me,” now available, please read on below.
John Stamos alerted Lori Loughlin about the press conference regarding the college admissions scandal.
In his memoir, Stamos reflects on his relationship with Lori Loughlin, recalling a date at Disneyland’s Haunted Mansion where they shared a passionate moment, though she has no recollection of it. At the 1983 Daytime Emmys, Loughlin introduced the category in which Stamos was nominated. When she auditioned for the role of Aunt Becky, Stamos initially envisioned someone with a tougher, edgier demeanor for Jesse, but their connection changed his perspective, leading to a close friendship.
In 2019, Stamos heard rumors about Loughlin’s involvement in a college admissions scandal, prompting him to call and inquire about her well-being. Loughlin’s response was nonchalant, saying, “‘Oh that, yeah, I’m not sure.’ She answers so casually, as if I just asked her if Nicky and Alex finished all their vegetables. ‘I have seen some emails lately from lawyers to Moss, but I stay out of it.’ Before I can process her response, I notice an odd clicking sound on the phone line. When I asked her about it, she again adopts her laissez-faire tone. ‘Oh, they may be bugging my phone.’ CLICK – I hang up as fast as I can. Then, switching on the news, the story breaks big time. I immediately text Lori, ‘Are you watching the news?’ ‘No, why?’ An FBI agent is announcing the largest college admissions scandal ever handled by the Department of Justice, involving bribes to prestigious colleges for falsified student acceptances. ‘Turn on the TV Lori, now! There’s a big press conference happening.’ She asks, ‘What channel?’ I text back in all caps: ‘EVERY CHANNEL!'”
Loughlin’s family subsequently moved into Stamos’ neighborhood, strengthening their familial bonds. Stamos commends Loughlin for taking responsibility and acknowledging her mistake.
“No matter how harshly she was criticized, how desperate everyone was to condemn her and lump her in with the worst of criminals, she stood firm, shielding her daughters from the relentless public scrutiny,” he writes. “When it was time for her to face the consequences, I watched Lori embrace her accountability, fulfill the legal requirements with her husband, and pick herself up with unwavering determination. What impressed me most was her resilience and her ability to rebuild her shattered world piece by piece.”
Stamos didn’t initially warm up to the Olsen twins or Bob Saget.
In his book, Stamos candidly shares an incident from the past when he attempted to have the Olsen twins fired when they were just 11 months old. He recalls the day he confronted the show’s creator, stating, “It’s either me or them. They’re not going to work out. They’ll ruin this show and my career.” In response, a new pair of twins was brought in, described by Stamos as “quiet, calm, and unassuming,” prompting him to request the return of the original twins, who were waiting backstage.
Over time, Stamos developed a genuine affection for the Olsen twins, discovering that “Mary-Kate excelled in emotional scenes, while Ashley shone in comedic ones.” He also mentions a visit from Elizabeth Olsen, who swiftly became his new favorite Olsen.
However, his relationship with Bob Saget was initially fraught with jealousy, as Stamos believed Saget, being a comedian rather than an actor, was an unsuitable fit for the role. Stamos shares his perspective, stating, “Bob is the most modest egomaniac I’ve ever encountered, but his self-deprecation offsets his self-aggrandizement. In this paradox, he compensates for his self-imposed insecurities.” Stamos acknowledges Saget’s remarkable talent but admits he didn’t express it to his face during that period. He later recognizes the value of learning comedy from Bob.
Their relationship eventually evolved, especially when all three of their sisters faced illness simultaneously. This shared experience underscored the significance of family for Stamos, Saget, and Coulier, transforming them from mere colleagues into a band of brothers who cherished the women in their lives. Stamos reflects on this shift, writing, “Bob, Dave, and I are no longer just coworkers on the same show; we are brothers, united by concern for the incredible women in our lives. The fear, the fight for family, and the anguish of loss have mellowed some of our trivial disagreements on set. We now understand what truly matters in our relationships with one another and with the fans who grapple with life-and-death issues out there.”
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